Two-Handed Hat Funk drum pattern

A two-bar Oakland-style groove with both hands on the hi-hat: 16ths played hand to hand, the right hand leaving the hat for the backbeat, accented ands and a busy kick that threads between them. Press Play to hear it with a sampled drum kit at 102 BPM, change the tempo or swing, and follow every hit on the grid.

How to count the Two-Handed Hat Funk

Count it as: 1 e & a 2 e & a 3 e & a 4 e & a · two bars. The pattern is a 2-bar phrase in 4/4 (two-bar hand-to-hand 16th-note hat pocket).

The Two-Handed Hat Funk pattern, hit by hit

Each character is one step of the grid and each group is one beat. X is an accented hit, x a normal hit, o a quiet or ghost note and - a rest.

Two-Handed Hat Funk drum pattern (4/4, two-bar hand-to-hand 16th-note hat pocket)
VoiceBar 1Bar 2
KickX--x --x- --x- -x--X--x ---- X-x- ----
Snare---- X--- ---- X------- X--- ---- X---
Ghost snare---- ---o ---- ---o---o ---- ---o ----
Closed hatooxo -ox- ooxo -ox-oox- -oxo oox- -o-o
Open hat---- ---- ---- -------- ---- ---- --x-
Pedal hato--- ---- ---- -------- ---- ---- ----

Tempo and feel

Tight, bright and machine-precise without being stiff. The accents on the ands give the lift; the unaccented hats should be almost flat. The default tempo is 102 BPM. It plays with 51% swing by default; move the Swing control toward 50% to hear it straight. Slow it down until every hit is controlled, then raise the tempo a few BPM at a time.

How to practise the Two-Handed Hat Funk

Play 16ths hand to hand on the closed hat, right hand on the beats and ands. Move the right hand to the snare on 2 and 4 without breaking the stream. Accent the ands, then add the kick one bar at a time.

Variations to try next

Move the ghost notes to the e of each beat. Accent the e and a notes instead of the ands. Open the hat on the and of 2 in bar one as well.

Where to hear this feel

Records in this family include Tower of Power - What Is Hip? and Tower of Power - Squib Cakes. A style study of the hand-to-hand 16th-note hi-hat funk associated with David Garibaldi and the Oakland horn-band sound. The accent map and ghost placements are authored for practice, not taken from any record.