Quiet Storm Groove drum pattern

A soft two-bar quiet storm groove: a cross-stick on 2 and 4, a feathered kick, whisper-quiet eighth-note hats with a few 16th pickups and a floor-tom swell at the end of the phrase. Press Play to hear it with a sampled drum kit at 66 BPM, change the tempo or swing, and follow every hit on the grid.

How to count the Quiet Storm Groove

Count it as: 1 e & a 2 e & a 3 e & a 4 e & a · two bars. The pattern is a 2-bar phrase in 4/4 (two-bar 16th-note cross-stick ballad pocket).

The Quiet Storm Groove pattern, hit by hit

Each character is one step of the grid and each group is one beat. X is an accented hit, x a normal hit, o a quiet or ghost note and - a rest.

Quiet Storm Groove drum pattern (4/4, two-bar 16th-note cross-stick ballad pocket)
VoiceBar 1Bar 2
Kickx--- ---x --x- ----x--- --x- --x- ----
Cross-stick---- x--- ---- x------- x--- ---- x---
Closed hato-o- o-o- o-oo o-o-o-o- o-oo o-o- o---
Low tom---- ---- ---- -------- ---- ---- --ox

Tempo and feel

Hushed and velvet. Nothing is louder than a speaking voice; the groove is a cushion for the singer. The default tempo is 66 BPM. It plays with 53% swing by default; move the Swing control toward 50% to hear it straight. Slow it down until every hit is controlled, then raise the tempo a few BPM at a time.

How to practise the Quiet Storm Groove

Play the hats and cross-stick at the quietest level you can keep even. Add the kick as a felt note, not a heard one. Add the bar-two floor-tom swell without speeding up.

Variations to try next

Swap the cross-stick for a soft snare in the last chorus. Play the hats with a brush on the snare instead. Leave the floor tom out for a sparser loop.

Where to hear this feel

Records in this family include Smokey Robinson - Quiet Storm, Anita Baker - Sweet Love and Luther Vandross - So Amazing. A drum-set study of late-70s and 80s quiet storm R and B. Many of these records used drum machines, very light kit playing or brushes; this kit version keeps the soft cross-stick, feathered kick and quiet hats rather than any one record's programming. It is authored for practice, not transcribed.