Second-Line Funk drum pattern

A two-bar New Orleans street-beat groove: the kick answers on the and of 2, the snare hand chatters around a strong backbeat, and a three-note snare pickup rolls bar two back to the top. Press Play to hear it with a sampled drum kit at 98 BPM, change the tempo or swing, and follow every hit on the grid.

How to count the Second-Line Funk

Count it as: 1 e & a 2 e & a 3 e & a 4 e & a · two bars. The pattern is a 2-bar phrase in 4/4 (two-bar lilting 16th-note second-line pocket).

The Second-Line Funk pattern, hit by hit

Each character is one step of the grid and each group is one beat. X is an accented hit, x a normal hit, o a quiet or ghost note and - a rest.

Second-Line Funk drum pattern (4/4, two-bar lilting 16th-note second-line pocket)
VoiceBar 1Bar 2
KickX--- --X- --x- ----X--- --X- x--x --x-
Snare---- X--- ---- X------- X--- ---- XxxX
Ghost snare-o-o ---o -o-o ---o-o-o ---o -o-o ----
Closed hatx-o- x-o- x-o- x-o-x-o- x-o- x-o- x---

Tempo and feel

Rolling and a little lopsided. The 16ths sit between straight and swung, and the snare chatter should sound like a parade drummer walking, not a drum-corps roll. The default tempo is 98 BPM. It plays with 56% swing by default; move the Swing control toward 50% to hear it straight. Slow it down until every hit is controlled, then raise the tempo a few BPM at a time.

How to practise the Second-Line Funk

Play the kick alone and sing the and-of-2 answer until it feels like a bass drummer in a parade. Add the eighth-note hats, then the ghost notes at whisper volume with Swing on. Play the bar-two pickup hand to hand and land on beat 1 without rushing.

Variations to try next

Move the hat hand to the snare rim for a street-drum sound. Drop the bar-two pickup and keep the chatter. Set Swing to 50% to hear how much of the lilt it carries.

Where to hear this feel

Records in this family include Professor Longhair - Big Chief, The Meters - Hey Pocky A-Way and Dirty Dozen Brass Band - My Feet Can't Fail Me Now. A drum-set study of the New Orleans second-line feel, where the bass drum and snare drum of a street parade band are folded into one kit. The lilt sits between straight and swung 16ths; it is authored for practice, not transcribed from any one record.